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There was no way I could do client work during this period. I walked away from all of those projects to take care of her. This was a big shock to both of us, and it turned our world upside down overnight. Then, out of the blue, my partner, Pamela, was diagnosed with cancer. I was also working on a very big project for Nike and was lined up to speak in Australia at Semi-Permanent, a big design conference, later that year. I was working on a front cover for Creative Review, which any graphic designer knows is a pretty big deal. In early 2011, I felt like my career was really about to take off. My early alphabets all looked like 1980s BMX logos because those were my main influence.Ĭalligraphy is a more recent addition to your art. I found myself gravitating toward letterforms and started drawing alphabets on graph paper. I was in a foundation art course in Birmingham in 1992.
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When did you create your first? Did it happen organically? Your early career focused on designing typefaces. Being an introvert, it has always been an essential form of self-expression for me. For as long as I can remember, creativity has been a very important part of my identity. Over time, art and design became my main focus. If I wasn’t on my bike, you could find me painting and drawing.
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I generally did well in school, but when I was a kid, I wanted to be either a professional BMX rider or an artist.
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How did you make the decision to go to an art and design school? Was it obvious that this would be your career path? My parents always encouraged me to draw and paint, and they made sure I had pens, paint, and paper to do so. Ozzy Osbourne and Black Sabbath also hail from Birmingham. Where did you grow up, and how would you describe your childhood? Was creativity encouraged by your parents?